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Opera
HWV1A3N44 "Hoffe nur der rechten Zeit" (choral fragment)
edward.maurath
0:40 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 12 13 3 5 100%
Bass 12 10 2 5 92%
View all 14 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 12 13 3 5 100%
Bass 12 10 2 5 92%
Organ Treble 12 13 3 5 100%
Bass 12 10 2 5 92%
Soprano 8 1 1 5 77%
Bassoon Bass 9 0 0 5 75%
Bass 9 0 0 5 75%
Celli Bass 7 0 0 5 75%
Kontrebaß Bass 7 0 0 5 75%
Tenor 8 0 3 5 70%
Bass Bass 9 0 0 5 67%
Viole 3 0 0 5 67%
Violini Treble 12 0 2 5 67%
Oboe Treble 9 0 2 5 55%
 
HWV8A2N12 - "Dorinda, ove hai tu poste le tue speranze?" (1712)
edward.maurath
0:49 Est. Play
Time
10 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 20 14 9 2 100%
Bass 9 2 1 3 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 20 14 9 2 100%
Bass 9 2 1 3 100%
Alto 10 0 4 3 100%
Violoncello Bass 6 0 1 3 100%
 
HWV8A2N12a - "Non me fuggir, crudele" (Dorinda)
edward.maurath
0:33 Est. Play
Time
7 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 17 11 5 2 100%
Bass 5 1 0 2 86%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 17 11 5 2 100%
Bass 5 1 0 2 86%
Violoncello Bass 4 0 0 3 100%
Alto 9 0 2 3 86%
 
HWV8A0N7 - Ecco, sen vien - recitativo secco
edward.maurath
0:28 Est. Play
Time
7 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 13 13 5 2 100%
Bass 8 1 3 3 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 13 13 5 2 100%
Bass 8 1 3 3 100%
Violoncello Bass 7 0 2 3 100%
Apollo 8 0 3 3 86%
 
HWV8A0N13 - La speme, e cura (Erato)
edward.maurath
0:16 Est. Play
Time
3 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 12 7 4 3 100%
Bass 7 1 1 2 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 12 7 4 3 100%
Bass 7 1 1 2 100%
Erato 7 0 2 3 100%
Violoncello Bass 7 1 1 2 100%
 
HWV8A0N17 - Dai, quando vuoi, recitativo secco
edward.maurath
0:16 Est. Play
Time
3 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Bass 4 0 1 3 100%
Harp Treble 4 2 0 1 67%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Bass 4 0 1 3 100%
Harp Treble 4 2 0 1 67%
Bass 3 0 1 1 67%
Harpsichord Treble 10 3 3 2 67%
Bass 2 0 0 1 33%
Apollo 5 0 1 3 67%
Erato 4 0 0 3 67%
 
HWV8A0N2 - Melodiosa Germana (Apollo) recitativo secco
edward.maurath
0:42 Est. Play
Time
9 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
HSC Treble 14 14 2 4 100%
Bass 8 2 1 2 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
HSC Treble 14 14 2 4 100%
Bass 8 2 1 2 100%
Vcl Bass 7 0 1 2 100%
Apollo 10 0 3 3 89%
 
HWV19N9 - Sinfonia in g minor
edward.maurath
1:00 Est. Play
Time
9 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 13 7 3 3 89%
Bass 16 2 2 5 100%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 13 7 3 3 89%
Bass 16 2 2 5 100%
Bassoon Continuo Bass 16 0 2 5 100%
Contrabass Continuo Bass 16 0 2 5 100%
Viola 12 0 1 5 100%
Violoncello Continuo Bass 16 0 2 5 100%
Vln
1		 Treble 14 0 3 8 100%
Vln
2		 Treble 13 0 3 7 100%
Oboe Treble 19 0 5 8 94%
 
HWV1A2N26 - Svenerò chi fa guerra a questo cor
edward.maurath
1:23 Est. Play
Time
19 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 16 23 3 3 100%
Bass 17 2 2 4 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 16 23 3 3 100%
Bass 17 2 2 4 100%
Violoncello Continuo Bass 16 0 2 4 100%
Violone Continuo Bass 16 0 2 4 100%
Tenor
as Osman		 12 0 1 5 89%
 
HWV8A1N1 - "Ah! nò, sia pur pietosa" recitativo secco
edward.maurath
0:57 Est. Play
Time
15 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 18 18 4 3 100%
Bass 11 1 2 3 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 18 18 4 3 100%
Bass 11 1 2 3 100%
Mirtillo 11 0 3 3 100%
Violoncello Bass 10 0 2 3 100%
 
HWV8A1N1 -"Ah! nò, sia pur pietosa" (Mertillo)
edward.maurath
0:57 Est. Play
Time
15 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 18 18 4 3 100%
Bass 11 1 2 3 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 18 18 4 3 100%
Bass 11 1 2 3 100%
Mirtillo 11 0 3 3 100%
Violoncello Bass 10 0 2 3 100%
 
HWV17a1n29y1725 "Madre!"
edward.maurath
0:56 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 18 18 8 4 100%
Bass 9 0 2 3 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 18 18 8 4 100%
Bass 9 0 2 3 100%
Violoncello Bass 9 0 2 3 100%
Sesto 11 0 4 3 93%
Harpsichord Treble 6 2 2 1 14%
Bass 2 0 1 2 14%
Cornelia 4 0 2 1 14%